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Propellerhead Reason 5

 

The name pretty much sums it up: an echo for notes. But since this acts on your note input, not on your instru Patterns are at the heart of producing hip hop, techno and many electronic music styles. With Pattern Mutator Create music and find inspiration in new ways with PolyStep Sequencer. You can set basic values like pitch and Select your key and scale from a list of common Reasons instruments sound amazing when solo on their own but they take on a whole other dimension when combine Some arpeggiators are quite c Sound Packs are like musical building blocks that just sound perfect together.

Sound Packs are filled with Reason patches aka presets that are powerful combinations of various Reason devices, made by world-class sound designers. Alligator Alligator is a three channel pattern-based gate effect that turns bland pads into rhythmic textures, radically Audiomatic Audiomatic Retro Transformer is a psycho-acoustic future retro effect, inspired by the photo apps on your phon BV Capable of far more than just robotic voices, a vocoder is a great tool when you want to modulate one sound wi D Foldback Distortion ECF Envelope MClass Compressor All mixes will benefit from a touch of mastering compression and the MClass Compressor will do just the trick MClass Maximizer Every decibel counts!

Neptune Getting a vocal performance right means so much more than hitting the right notes at the right time. PH Phaser Polar Load up Polar in the rack, and it will instantly make your sounds wider. Pulveriser Combining compression, distortion, filter and modulation, the Pulveriser is a beast of a processor that makes Quartet Quartet offers four ways to thicken and lush-up your sound.

RV-7 Digital Reverb Scream 4 Imagine having all your favorite distortion pedals and overdrive boxes transformed into one shiny, rack mounte Softube Bass Amp With Bass Amp, Softube delivers a bass amplifier emulation with the same amount of attitude and personality th Softube Guitar Amp From chiming clean to gritty and torn, from warm and cozy to razor sharp high-gain — whatever sound you dial Sweeper Add more color with this high quality, multi-talented modulation unit with expansive dynamic modulation option Synchronous Animate your pad, wobble your bass or glitch up your samples.

The Echo The Echo is an advanced stereo echo bringing together the brilliance of modern delays with the organic sounds UN Unison Algoritm With nine operator slots that you can connect any way you want, Algoritm takes FM synthesis to a new level. Complex-1 Complex-1 is a modular synthesizer from Reason Studios, bringing the quirks, freedom and sonic depth of modula Octo Rex Load your loops into Dr.

Europa A wavetable synth at heart; Europa is the most powerful, most modern and biggest sounding synth for your next Friktion Get the full expressiveness and natural sound of string instruments, right in your Reason Rack.

Grain Granular synthesis takes an entirely unique approach to sound generation by splicing and dicing samples into t Humana Put the humanity back into machine generated tones with sampled instruments which specialize in the imperfect Kong Kong Drum Designer is not your regular drum module. Layers Layers is a virtual collection of synthesizers from the 80s and 90s, re-imagined in a modern instrument.

Layers Wave Edition Four layers of unique samples from the Waldorf Wave combined with effects, unique sequencing capabilties and c Pangea Pangea takes you around the world with a collection of world instruments that can fill traditional roles with Parsec 2 Parsec uses additive synthesis to generate sounds. Processed Pianos Processed Pianos is the perfect piano package for all Reason users who want to explore and play around with ne Radical Piano Radical Piano will change the way you use pianos in your music by allowing you to imagine a piano in a real sp Publication date.

See all details. Next page. About the Author Hollin Jones is a full-time musician and writer, as well as a lecturer at colleges and universities throughout the South West of England. About the author Follow authors to get new release updates, plus improved recommendations. Hollin Jones. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

Read more Read less. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them. Learn more how customers reviews work on Amazon. Top reviews Most recent Top reviews. Top review from United Kingdom. There was a problem filtering reviews right now. Neptune also supports MIDI input, which can be used as an alternative method for supplying target pitches.

Instead of relying on scales and Catch Zones, you can simply play or program MIDI notes to serve as targets for incoming notes. The Catch Zones are automatically removed from Neptune's display whenever a MIDI note is held; when the note is released, Neptune instantly switches back to Automatic mode. In this way, you can switch freely between modes on the fly, using Automatic correction wherever it suits you, dropping occasional 'override' notes from your MIDI controller.

MIDI input can also be used with Neptune's voice synthesis functions. When these are activated, Neptune generates additional synthetic voices at pitches determined by incoming MIDI notes. Playing notes or chords on your MIDI controller, you can create harmonies to complement your original vocal, even while it's having its own pitch corrected. A pair of faders is used to balance the relative levels of the original and the synthetic voices. The synthesized voices sound slightly artificial when heard in isolation, but can be very effective in the context of a mix.

Neptune is easy to use and capable of striking results. The device is not limited to use on vocal sounds, of course. With careful tweaking, and clean and preferably monophonic sources to work on, it will happily work with other instruments.

Along with the devices and functions described above, a raft of other, smaller improvements has been made in both Reason and Record. In Record, there are functions to reverse and to normalise audio clips — and audio clips can now be time-stretched simply by holding Ctrl on a PC or Option on a Mac , and clicking and dragging at either end.

When Reason and Record are installed together, a 'Bounce clip to sample' function offers an easy way to transfer parts of audio recordings to the pool of samples available to Reason's instruments. There are other enhancements too: for an exhaustive list, see Propellerhead's web site. The Neptune pitch processor is a powerful new tool for performing the kinds of task that might previously have sent Record users into the arms of rival DAW applications.

When Reason 5 and Record 1. That said, there are still a few features missing — presumably deliberate omissions rather than oversights. Score and notation editing and printing, and the ability to import and sync to video are still two things that neither Reason nor Record will do. Glancing back across this review, I see that I have used the word 'impressive' four times already, and I have no qualms about making that five.

By default, this is wired up to the sockets corresponding with your computer's default hardware input. However, it can just as easily be patched to any available audio output in the rack, including those belonging to Reason's own instrument and effects devices, allowing you to sample their output just as you would an external source.

Samples can be recorded in either mono or stereo. The sight we thought we'd never see: audio recording in Reason! In all cases, the sample recording window is the same, and it couldn't be much simpler or easier to use. When sampling is initiated, a waveform is steadily drawn from left to right across the window as sound is recorded. One button halts sampling and closes the window. Another restarts sampling from the beginning, overwriting any sound already in the buffer.

A third button ends sampling and opens the newly recorded sound in the sample Edit window. A simple but effective sample editor allows you to trim and tidy up your recorded audio. The Edit window is only slightly more complicated than the recording window. The waveform display is larger, and zoomable, and allows selections to be dragged across it. Toolbar buttons along the top allow you to crop a selection, normalise or reverse it, fade in or out, and choose one of three looping modes No Loop, Loop Forward and Forward and Backward.

Loops can be crossfaded, as required. A root note can also be specified. Both the recording and editing windows can be called up and used without halting sequencer playback. In an ideal world, it would be possible to invoke sampling from Dr OctoRex too, and define REX slices in the Edit window, but I suppose you can't have everything.

However, while it would certainly be possible to record and compile basic vocal or instrument parts from sequences of samples, there are certain practical limits: only 30 seconds of audio can be recorded into a sample, after which the recorder loops, overwriting the earlier part of the recording.

For serious tracking, therefore, Record is still the way to go. An irresistible upgrade for existing users of Reason or Reason and Record. Plenty to celebrate here, and very little to complain about.

Kong and Dr OctoRex are powerful new instrument devices for Reason.

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